MALMÖ (SE) - A series of boxes, set at angles with respect to each other and of varying heights and volumes, comprises the fundamental form of this competition-winning design. A version of a 'city within a city', the programme set forth by the architects emphasizes an open ground floor plan, accessible to both visitors and the public, as well as an intelligible functional composition in the modern Scandinavian tradition. Although individual elements – concert hall, congress centre, hotel, residential and commercial – remain separate and clearly defined within the complex, they are linked together by the lobby, which takes on the role of the street within this mini-city. Expressive red colours and wood laminate will certainly enhance its landmark qualities, while integration into the surrounding urban fabric of Malmö is facilitated by the attentive placement and height constraints of its assorted cubic volumes. The architects have reaffirmed the simple box as a dynamic architectonic form. (Dutton R. Hauhart)
Schmidt hammer lassen architects has won the competition to design a 54,000 m2 concert, congress and hotel complex in Malmö, Sweden. The competition, in which Snøhetta, Baumschlager Eberle and Daniel Libeskind also participated, included the development of additionally 35,000 m2 for housing and commercial use. This is the second competition won by schmidt hammer lassen architects in the southern part of Sweden in 2010.
The new building complex is situated on Universitetsholmen in Malmö. The building consists of a composition of cubic volumes that are mutually twisted and given different sizes to meet the directions and building heights of the surrounding city. The facades are designed with a homogeneous expression to make the composition appear as one architectonic sculpture.
'The idea is to create a 'house of the city' that incorporates the architectonic expressions of Malmö – a building that will contribute to the existing urban life,' said partner at schmidt hammer lassen architects Kim Holst Jensen. He added, 'The context has inspired our choice of materials, colours and the various sizes of the building volumes, yet the building design in itself points to the future.'
The main entrance is found at the northern part of the building, with a classic loggia motif facing the plaza in front. From the south you enter the building directly from the promenade that runs along the canal. The different functions in the building are organised like separate elements – as a little city. Here, the lobby becomes the street that runs through the whole ground floor plan and ties everything together. Like the medieval cities, with curved and narrow streets, organised around plazas and squares, the lobby is designed to form small gathering places and recesses where it is possible to stop, sit and enjoy the view to the canal and the park.
'We have created a building that has a precisely shaped expression towards its surroundings to support the idea of 'a city in the city'. As a contrast, the part of the building that faces the park and the canal is shaped more openly and organic. It is important for us to keep the ground floor open to the public, and to give the people from the city the possibility to stroll through the building if they are going to a concert, a conference, to the café or just want to make a shortcut,' said associate partner, and head of the Copenhagen office at schmidt hammer lassen architects, Kristian Ahlmark.
From the inside, the three volumes that hold the large symphony hall, the flexible hall and the conference hall, will stand as clearly defined elements. The building shapes appear as a three-dimensional composition in laminated wood with warm, red colours.
The new cultural centre becomes an open, expressive and dynamic building that is manifold in both its activities and its architecture. The point of departure for the building design is the modern Scandinavian architectural tradition with the clear functional organisation and the accessible and open ground floor layout. The building becomes the focal point and a landmark for Malmö - a place where the spirit of the city, the diversity and the intimacy is given an architectonic expression.
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