ZENICA (BA) - Filter's spiral was inspired by the narrative of history.
VIENNA (AT) - ARTEC Architekten stacked different housing types on top of each other and created a residential hybrid.
OBERWIESENTHAL (DE) - Is it still the dream of every architect to build his (her) own house? Maybe not right now, when practices are concentrating...
LJUBLJANA (SI) - Raw energy, a gridded facade and spatial links characterize this new university building by Arhitektura Krušec.
The new... News and observations
New projects
Joseph Smolenicky: Daring to be different
Is Joseph Smolenicky a new Swiss starchitect? No, he's been around for quite some time, but has only just started causing a stir with a few larger projects. His Tamina Therme thermal baths and the Sempachersee Golf Club seem like a throwback to another age. 1910s? 1920s? The Reform Movement? Is architecture derived from bygone styles a viable solution? We wanted to know, so we sent two A10 correspondents to meet Smolenicky – and to test the waters.
New buildings
Green systems
Sustainable, environmentally friendly, recyclable, carbon-free architecture – for dozens of years now people have been talking about the need to build differently, in a way that is less harmful for the environment, more in balance with nature. The first generation of eco-architecture, which was prompted by the oil crisis of the 1970s, was followed in the 1990s by a second wave of environmentally aware high-tech buildings. Now, a further twenty years down the track, the need to be more efficient in our use of materials and energy is ever more acute. Many expos, architecture biennales and symposia are devoted to the theme. But what is sustainability in 2010 – an empty slogan, a pipe dream, or something that goes without saying?
Focusing on European countries, cities and regions
Buildings from the margins of modern history
Christian Welzbacher examines a Bavarian example of the previous wave of iconic buildings. The Hypo-Vereinsbank in Munich, designed by Bea and Walter Betz (1972-1981), is a fine example of corporate architecture in which form is pushed to the point of spectacle.