#24 Nov/Dec 2008

#24 Nov/Dec 2008

Open-air altar, St. Vid Church (Photo: Miran Kambič)
BREZJE (SI) - Maruša Zorec integrated an open-air altar into an existing stone wall.
Slovenia | Petra Čeferin
Juvet Landscape Hotel
Valldal (NO) - Jensen & Skodvin architects have created a hotel that manages to leave no scars on the surface of a pristine landscape.
Norway | Sissil Morseth Gromholt
POLAND - In spite of the optimistic PR and UEFA's still positive pronouncements on Euro 2012 preparations in Poland and Ukraine, there...
Poland | Kseniya Dmitrenko, Roman Rutkowksi & Lukasz Wojciechowksi
UKRAINE - In spite of the optimistic PR and UEFA's still positive pronouncements on Euro 2012 preparations in Poland and Ukraine, there...
Ukraine | Kseniya Dmitrenko, Roman Rutkowksi & Lukasz Wojciechowksi
BULGARIA - In recent years, all of Bulgaria's big cities have been experiencing a building boom, but the area receiving the largest chunk...
Bulgaria | Milena Filcheva

Overview of contents

Overview of contents

On the spot

On the spot

News and observations

 

  • FAT's Villa Heerlijkheid community centre in Hoogvliet, Rotterdam (NL)
  • Dutch architects frustrated by overly 'correct' European tendering of design commissions
  • Architecture competition inspired by Being John Malkovich
  • Aalto houses in three short films (FI)
  • Update: Euro 2012 stadiums in Poland and Ukraine
  • and more…
Start

Start

New projects

 

  • Hotel, apartment and office towers, Belgrade (CS) by BEHF Architects
  • Conference and festival centre, Valle del Jerte (ES) by AMID (cero9)
  • Park, Dublin (IE) by Agence Ter
  • Cultural centre, Ikskile (LV) by FBRK
  • Iceland Academy of the Arts, Reykjavik (IS) by Adept and +Arkitektar
Interview

Interview

Claus Anderhalten: Giving the past a future

 

Claus Anderhalten, who is well known for his conversions of existing buildings, believes firmly that the old must be respected on its own terms: 'an old building is very sensitive'. Nonetheless, he is not afraid of confrontation: 'We don’t build transitions any more. We no longer maintain a safety zone between the new and the historical. I don’t need to keep a deferential distance.'

Ready

Ready

New buildings

 

  • Museum, Neuhaus (AT) by querkraft
  • Children's play centre, Bonneuil-sur-Marne (FR) by LAN Architecture
  • Social housing, London (UK) by S333
  • Recreational complex, Bodrum (TR) by GAD Architects
  • Retirement home, Hagibor (CZ) by Jan Línek
  • Museum extension, Charleroi (BE) by l'Escaut
  • Gallery and art school, Waiblingen (DE) by Hartwig N. Schneider Architekten
  • Open-air altar, Brezje (SI) by Maruša Zorec
  • Museum, Kalmar (SE) by Tham & Videgård Hansson
  • Holiday units, Sub Piatra (RO) by SKBD
  • Primary school, Pécel (HU) by Dezso Ekler
  • Hotel, Valldal (NO) by Jensen & Skodvin architects
Section

Section

Feel good wood

 

Though people have been using wood in construction since time immemorial, the material has certainly not reached the end of the development line. As a matter of fact, there appears to have been more innovation and experimentation by manufacturers and designers in recent years than ever before. The current popularity of wood has a lot to do with its green image – it is a material that no one can reasonably object to on ecological grounds. But the interest in wood also has something to do with a prevailing aesthetic preference.

Eurovision

Eurovision

Focusing on European countries, cities and regions

 

  • In recent years, all of Bulgaria's big cities have been experiencing a building boom, but the area receiving the largest chunk of the investment pie is the Black Sea coast, which has changed beyond recognition in the last four years
  • Architectural tour guide: Anita Anteniske shows how rapid growth and young architects are impacting on Riga's cityscape (LV)
  • Profile: AllesWirdGut (AT)
  • Office: Ecosistema Urbano's white office space in a former coal depot, Madrid (ES)
Out of obscurity

Out of obscurity

Buildings from the margins of modern history

 

Between 1965 and 1968 Högna Sigurdardóttir designed and built a house at the bottom of a slope near the town of Gardabær. As Fernando de Mendonça notes, its introspective character is completely in keeping with the harsh Icelandic landscape and with the local tradition that a dwelling serves primarily as a shelter from the cold.

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